He grew up in a musical household his father played trumpet and French horn and sang, and his older sister auditioned for the Metropolitan Opera. I know for a fact that Abdul and I could count off a tempo and play for hours."Ībdul Wadud was born Ronald DeVaughn in Cleveland, OH on April 10, 1947. I feel like I could play anything, and he would respond. In the liner notes to Oakland Duets, released more than two decades later, Hemphill says of Wadud that "we're so close musically, I feel like I have total freedom. He is in many ways orchestrating the shape of the work. "He is covering the soprano, alto, tenor, and bass voices. "I think of Abdul's playing on 'Dogon A.D.' like a full gospel choir," says Marty Ehrlich, the multi-reedist and composer who curates the Julius Hemphill Archive in the NYU Fales Library. There was clarity, order and a lyrical quality to the music, which is one reason many fans followed his work as a sideman no less than they did his bandleaders. Any session with him had a unique sound that went beyond the sonorities of his instrument. Wadud's sound was unmistakable, rich and soulful, and he broadened the sonic range of his instrument.Īlthough much of his work was as a sideman, Wadud was one of the most important jazz musicians of the 1970s, '80s and '90s. For Wadud, the cello was his primary ax - and an expansive vehicle for self-expression. Some legendary bassists like Oscar Pettiford and Ron Carter had doubled on cello before him, and a miniscule number of cellists, notably Fred Katz, had distinguished themselves as jazz improvisers. His son, the R&B singer and songwriter Raheem DeVaughn, announced his death on social media without providing a cause. Abdul Wadud, a groundbreaking cellist who expanded a realm of possibilities for his instrument in avant-garde jazz and classical music, died on Aug.
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The aim is to predict temperature distribution (T), dimensions and shape of thermal lesion produced by the laser light absorption within the tissue, in order to achieve an optimal design of the applicator for LITT. Thermal effects of different applicators for energy deposition in tissue undergoing laser interstitial thermotherapy (LITT) are investigated. That song, with its refrain, "Don't say you love me", is called 'Quit', while the next one 'Standing In The Light' is sort of like a Deep Purple hit. The sound is murky and dark, but not in a bad way, and from the first note, you can feel the sadness that permeates the recording. There is a time in many relationships that go bad, a time long before the break up, where it dawns on one of the people, maybe both, that it’s over. He expanded on the songs, saying "The music of 'Toast' is about a relationship. It was recorded in the same place where Coltrane was recorded, so there's a lot of heavy stuff in there". It’s a mind-blowing record, and I don’t think it's a commercial record, but it's great rock & roll, very moody, kind of jazzy. The only song to see the light of day from these sessions was 'Goin’ Home', which appeared on the underwhelming 'Are You Passionate?', but for years Young has claimed that 'Toast' is on the verge of being officially released, and he was enthusiastic about it in a Rolling Stone interview in in 2008, saying "It's an amazing listening experience. Sometime in late 2000 or early 2001, Neil Young went into the studio with Crazy Horse and cut an album that was to be named 'Toast', after the studio where it was recorded. Even during the end when the story is coming to a close, there is an unnecessary scene about sushi and the fine dining of earth that goes on for three minutes, and adds nothing to the story even as an epilogue scene. This is because the movie is plagued with useless scenes that do nothing to advance the plot and easily could have been removed to no consequence to the rest of the movie, or in other words, the movie is plagued with filler. One of the biggest flaws of the movie is the lack of battling, especially that of gods in the plural sense ("Prophecy of the Super Saiyan God" would have been more fitting as a title). If a comparison can be made, Dragon Ball Z: Battle of Gods is much like the critically panned Manos: the Hands of Fate, which was riffed on by the crew of MST3K, in that the viewer will constantly check the subtitle of the movie over and over again to see if there has been some mistake. How about the subtitle of the movie itself? At least Dragon Ball: Grand Tour has an appropriate subtitle since the greater part of the series involves a journey across space. Actually, it is even worse than that since there are still many things DBGT gets right that Battle of Gods does not. Though you might need to jog your memory a little first.Dragon Ball Z: the Battle of Gods is the biggest betrayal to DBZ fans since DBGT. So if you're a fan of DBZ, chances are likely you'll have a pretty good time here. Non-fans need not apply here and casual fans may want to brush up on their DB history. Some characters even show up for the sole purpose of showing up and play no role whatsoever. There are cameos, references and even in-jokes-with no explanation at that-that only fans who know almost everything about the series will get. Here's the catch: You have to be a fan of Dragon Ball Z-a big one at that-to fully enjoy it. Even minor characters are given some personality and spot on dialog. Thanks to series creator Akira Toriyama bring involved, there's a lot of humor and personality that was lacking in previous movies and even the later part of the manga & TV Show. Aside from the fantastical, frenetic action this series is known for, this most fun the Dragon Ball franchise has seen in a loooonnngg time. Eager to face a foe who could provide with a challenge or amusement, Beerus sets off in search of such a person, which puts Goku, Vegeta and their families & friends in his cross-hairs. If you like DBZ, you should really like this! After being asleep for several decades, Beerus, the God of Destruction, awakens and remembers a prophecy about finding a powerful challenger in the form of a "Super Saiyan God". DBZ: Battle of the Gods is a totally hoot with really nice animation, really cool battle scenes, fun & lively characters, and a ton of cameos and references for fans of the series to enjoy. He wrote songs for Oliver Dragojević, Ivan Mikulić, Tony Cetinski, Danijela, Vanna, Jacques Houdek, and for his wife Ivana Plechinger with whom he wrote hit songs such as To nismo mi and Kao rijeka which scored second on Dora in 2000. By late 80'a he entered Parni valjak as a guitarist and saxophone player, then performed with Gibonni, Hard Time and Fanny Hill, and he recorded his album "Just Like All Other People" in 2001. Afterwards he worked with all the important musicians and singers in and around Croatia as a musician, composer or an arranger. His career began in the 1980s when he formed the band called D-Day. 2001 – Parni Valjak – Kao Nekada – Live at S.C.Bruno Kovačić is a Croatian musician and composer.1997 – Parni Valjak – Samo Snovi Teku Uzvodno.1995 – Parni Valjak – Bez struje: Live in ZeKaEm.1988 – Prljavo Kazalište – Zaustavite zemlju.1985 – Prljavo Kazalište – Zlatne godine.1983 – Prljavo Kazalište – Korak od sna.1980 – Prljavo Kazalište – Crno-bijeli svijet.1979 – Prljavo Kazalište – Prljavo Kazalište.He also runs his own recording studio "MB" in Zagreb, where Parni Valjak has recorded some of their albums. The album also features two instrumental compositions. featuring collaborations with Croatian musicians such as Gibonni. In November 2007, Croatian record label Dancing Bear released his first solo album called Bolji Svijet ( A Better World), featuring collaborations with Croatian musicians such as Gibonni, Toni Cetinski, Aki Rahimovski, Dado Topić, Berislav Blažević, etc. Cover Photo: Boban Vasileskis photo, of Marijan Brki Brk, Parni Valjak and 2. Following the dismissal of Parni Valjak, he joined Zlatan Stipišić Gibonni after the release of Gibonni's latest album and has been playing regularly with his band since. He remained with Parni Valjak until the band's farewell tour and last performance in December 2005. Soon afterwards, Gibonni released his Best of Collection consisting of his most popular songs, including some from his early 90s career. Since he joined them, Parni Valjak has released eight albums, both studio and live, as well as compilations. In 2016 Gibonni released the album Familija, which was made in collaboration with Oliver Dragojevi, featuring 10 tracks. In 1991, he joined Parni Valjak as their lead guitarist. His first popular band was Prljavo Kazalište, with whom he played from 1979 to 1989. He is one of the most popular Croatian guitarists and session musicians, and is also known as a songwriter, arranger, composer, producer and sound engineer. Marijan Brkić Brk is a Croatian guitarist, best known for his work with Croatian bands such as Parni Valjak, Prljavo Kazalište and currently, Zlatan Stipišić Gibonni. Fender Stratocaster, Gibson Les Paul, Valley Arts guitars, 'Cats' custom guitars Gibonni - Diskografija (2010-2013) 7. |
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